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Kpelie face mask, Senufo (#482)

$ 126.19

Availability: 49 in stock
  • Condition: Condition of mask: Paint faded, mask dusted not cleaned, has nicks and scratches. Left horn is broken off near the top and has cracks on either side; right horn tip appears to have broken off; right nostril is chipped off; right horn underneath the ear is broken off; right horn is chipped at the top and has a small crack midway; left protrusion above ear is broken off at the top; right under-eyelid is mostly broken off; right edge of face has a long crack that may have been glued.
  • Country/Region of Manufacture: Cote d'Ivoire
  • Provenance: Ownership History Available
  • Modified Item: No
  • Handmade: Yes

    Description

    Formerly Displayed:
    ·
    Kennedy Museum of Art at Ohio University (February through April 2007)
    ·
    Jule Collins Smith Museum of Fine art at Auburn University (February through May 2008).
    ·
    5
    th
    Avenue Mask Museum, Hendersonville NC (# 482)
    Tag on mask: Senufo, Ivory Coast
    Measurements are approximate.
    Mask height: 15 ¼ inches
    Mask width:
    5 ¼ inches
    Mask depth: 3 ¼ inches
    Material: Wood, hand carved
    Acquired year: 1977
    Acquired from: Seven Continents LTD Kiawah Island
    Information and the only claim with respect to authenticity about this mask are taken from notes and sketches by Ellen Hobbs
    and from the museum catalogue
    Behind the Mask
    .
    Ms. Hobbs’ sketch is shown with the photos of the mask. No other representations of authenticity are made.
    According to Ms. Hobbs’ notes, this type of mask was danced with by young boys for their initiation into the tribe. It was also used at harvest festivals to help bring in a good crop and in funeral rites to lead the deceased into the land of the dead. The formations on the mask are symbolic of the man’s new status in the tribe.
    Pictured in t
    he museum catalog
    Behind the Mask
    (see photos) [copyrighted 2008 by Jule Collins Smith Museum of Fine Art Auburn University (
    www.jcsm.auburn.edu
    )]; the pages uploaded here have been reproduced with the Museum’s permission].